NEW MUSIC FOR PERCUSSION

ecclesiastes: a modern oratorio (2008)

  1. preamble [eccles. 1:3-11, 15]
  2. beginning & ending
  3. motet [eccles. 3:1-8, 15]
  4. bells
  5. time to go, time to remain
  6. that which
  7. heaven
  8. every purpose
  9. under, to
  10. bells & words
  11. ending & beginning
  12. ending

This piece began as the accompaniment commissioned by choreographer Gina Gibney for her piece Time Remaining. We premiered Time Remaining in 2002, and continued to perform with the dance company until 2004. By this time the septet had developed a strong interactive sensitivity to the music and its purpose. So we gigged and recorded the piece with a focus around the text from the Bible book of Ecclesiastes which Time Remaining had drawn upon.

I finished the record developing the text further and singing two more pieces using further Ecclesiastes text. I became interested in re-translating this text from the original Hebrew through reference to the Vulgate's Latin translation. Through comparison, I came up with a text I felt spoke to a more contemporary spiritual practice, in partcular the 12 steps of recovery.

ecclesiastes: a modern oratorio and liner notes discussing the process are available on Innova recordings.

  • contratenor
  • tenor
  • baritone
  • bass
  • cello
  • extended drum kit
  • concert bass drum
  • pitched bells
  • hammered dulcimer
  • mandolin
  • soundtracks and drones

 

73 min.

Dunt-Dunt (1996)

Piece for E.S.P. (East Side Percussion) for internet broadcast.

 

  • 3 percussionists
    • triangle, iron frying pan, small cook pot, larger cook pot with handle and 2 cups of water in it
    • shears, stapler, bongo, rims of 3 "sexylush" wooden skinhead drums (small, mid-size & deep), drums with delay pedal (metal skinhead drum, and unique sound—your choice)
    • metal sleigh-thing

10 sec.

Just Met (1996)

Bass marimba and violin in conversation. Composed for Marimolin. Premiered by Lyris Hung and Danny Tunick at Roulette, NYC, March 25, 1998.

  • violin
  • bass marimba or marimba
7 min.

For Polly (1992)

A song I wrote for for my sister Polly on her 21st birthday (lyrics). Premiered by Musica Orbis at Shady Hill School, Cambridge MA, 1975.

  • voice
  • marimba
  • vibes
3 min.

Fishy Wishy (1997)

A re-texting of the 4th mov't of Schubert's Trout Quintet with Brazelton's translation of text from Schubert's lied Die Forelle. Premiered "Alternative Schubertiade," Downtown Arts Festival, American Opera Projects, NYC 9/19/97 (reviewed in N.Y.Times 9/22/97 and Voice 9/30/97) a downtown celebration of Schubert's 100th birthday.

Recorded for CRI CD 809 Alternative Schubertiade spring 1999.

  • SSA
  • vibes
  • piano
7 min

Skinnydipping (1998, 1988)

Song.

Recorded 1998 by Lyris Hung, violin, Tom Chiu, violin, Danny Tunick, percussion, Jimmy Pugliese, percussion, and Kitty Brazelton, voice.

  • alto voice
  • 2 violins
  • marimba
  • guitar
  • percussion, found objects
6 min.

The Two Timing F**k I'm in Love With (1996)

Poem by Carolyn Peyser of Nuyorican Poets. Premiere by Absolute Ensemble, June 30, 1996.

Recorded 1998 by Lyris Hung, violin, Tom Chiu, violin, Danny Tunick, percussion, Jimmy Pugliese, percussion, and Kitty Brazelton, voice.

  • alto voice
  • 2 violins (or violin and viola)
  • 2 percussionists
    • congas
    • nontraditional object which rattles
    • 5 temple blocks
    • 2 cymbals
    • hi-hat
    • triangle
    • dumbek
10 min.

R (1989; revised, 1994 and 1998)

Chamber piece. No text. Parisian flavor? Rather exotic. Premiered by Jay Kauffman, classical guitar, Kitty Brazelton, voice, Lyris Hung, 5-string violin, Mat Fieldes, double bass, Danny Tunick, bongos, Roulette, NYC, March 1998 and December 1994. Recorded 1998.

Kitty Brazelton: Chamber Music for the Inner Ear, CRICD 889—Try New World Records http://www.newworldrecords.org/cri-nwr-2004-03.shtml

  • classical guitar
  • untexted voice
  • viola
  • double bass
  • bongos
6 min.

Kitty Brazelton & Low Brass (2000)

  • Down So Low by Tracy Nelson of Mother Earth 1970, arranged by Brazelton for Low Brass 2000
  • No More Bends in the Wire by Kitty Brazelton 1996, arranged for Low Brass 2000
  • Think I'm Fallin' In Love by Kitty Brazelton & Joey Scarperia, 1982, arranged for Low Brass 2000

I started with an arrangement for voice, tuba, 2 trombones and steel drums of Tracy Nelson's Down So Low for Phil Kline's curation "Your Hit Parade" in March at the New Museum in Soho. I arranged a few more tunes of my own to perform on Frank Oteri's 21st Century Schizoid series in May with the same instrumentation (me singing, Bob Stewart tuba, my beloved Chris Washburne (from Dadadah) and Julie Josephson on trombones, Danny Tunick (also beloved from Bat?) on vibes, and Tony Lewis on drums (from the Kitchen House Blend).

  • voice
  • 2 trombones
  • tuba
  • vibes or steel drums (pan)
  • drums
3 min.
photo by Susan Buck

(l-r) Brazelton, Stewart (tuba), Josephson (trombone) and Curtis Hasselbring (trombone)

Drums & steel drums there but not in photo

 

Leonardo (1993)

Commissioned for dance by choreographer Eduardo Zeiger with excerpts from Sigmund Freud's essay Leonardo da Vinci and a Memory of His Childhood. Premiered Merce Cunningham Dance Studio, New York City with Eduardo Zeiger and Friends, February, 1993, and without dance at CB's 313 Gallery, May 1992.

Recorded by BOG LIFE at WNYC, May 1994.

for BOG LIFE:

  • baritone
  • mezzo-soprano
  • classical guitar
  • harp
  • soprano recorder
  • oboe
  • drum
  • cymbal
  • double bass
25-30 min.

I Was Kidnapped
By Martians (1992)

Operetta in which entire ensemble except contralto is Martian and speaks in motives learned from radio waves in space. Libretto by Lorraine Llamas. Premiered by BOG LIFE at Dixon Place, New York City, November 1992.

for BOG LIFE:

  • contralto
  • baritone
  • harp
  • oboe
  • double bass
  • marimba and cymbal
15-20 min.

The Dinner-Party (1987-1991)

Song cycle setting six poems by Bostonian imagist poet Amy Lowell, published 1911. M. A. thesis, Columbia University School of the Arts, 1991. Premiered by Brazelton's BOG LIFE on Cape Cod, MA tour funded by Massachusetts Arts Lottery, November 1991. Included on BOG LIFE recording "New & Unusual American Chamber Music."

for BOG LIFE:

  • mezzo-soprano
  • baritone
  • harp
  • oboe
  • double bass
  • marimba
  • guitar
  • percussion and cymbal
22 min.